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Starting with the basic concepts of sufficient statistics, the classical approach based on minimum variance unbiased estimation is presented in detail. A separate chapter is added on simulataneous estimation of several parametric functions where the optimality criteria are defined using variance covariance matrix of the vector of estimators. Large sample theory of estimation based on consistent asymptotic normal estimators is then presented and various methods which lead to such estimators, eg. method of moments and percentiles are presented. There is a separate chapter on maximum likelihood method which is used extensively in many other fields. The book concludes with standard theory of tests of hypotheses and confidence intervals with an emphasis on likelihood estimators. There are many solved examples illustrating the theory and which are applicable in a variety of practical situations. A special feature of the text is the wealth of historical information which provides a perspective of how the ideas developed over the past 200 years starting from Boscovitch-Gauss -Legendre Laplace to K. Pearson, Fisher - Neyman, E. Pearson and C.R. Rao.

• Published on: 1998-02
• Original language: English
• Binding: Paperback

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[L892.Ebook] Ebook Free Jeet Kune Do: Entering to Trapping to Grappling, by Larry Hartsell

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Book by Hartsell, Larry

• Sales Rank: #1053555 in Books
• Brand: UNIQUE BRIGHT
• Published on: 1989-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .49" h x 7.03" w x 9.97" l,
• Binding: Paperback
• 200 pages

Features

• Used Book in Good Condition

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2 of 2 people found the following review helpful.
Plethora of trapping/grappling techniques
By Joseph M Burtner
This book does a pretty good job of presenting techniques from a clinch, or another situation where one is close enought to use Wing Chun-style trapping techniques. It also covers moving into a clinch possition, as well as several takedowns and throws from said possitions. It covers using these techniques both offensively and defensively. Also covered is basic fighting stance and footwork, some standing submissions, and some leglocks for securing a person on the ground. The book was made in 1984, so it may not be 'state of the art' where some clinching and grappling techniques are concerned, compared to what has developed in modern MMA competitions. It's a decent enough book, and for someone with no knowledge of clinching, trapping, or basic upright grappling, I think it could be helpful, and is reasonably useful for MMA competition and self-defense training, but mostly as a suplementary text.

3 of 6 people found the following review helpful.
Honestly, what are the other reviews talking about?
By A Customer
I bought the book because the reviews were very good but it is not. I wanted to improve my techniques and the book tought me nothing.
Larry uses the name and image of Bruce Lee to sell something that is far from Lee's philosophy. What am I talking about: mediocrity. The book even has a foreword from Linda Lee, whom I think was only trying to help his friend a bit.
Yes, the books "shows" a variety of techniques. But there is no deepness in it. In the two years that I've been practicing from an very good Wing Chun Kung Fu teacher i've learned most of the tecniques exposed in the book, but with a huge difference.
Trapping and Grappling in mostly about awareness, balance, center lines, pessure points, joint control. Larry's book says nothing about that. Here is a typical text sample of the book (page 28) "If your opponent gives you a front hand answer, you can loop his front hand and throw a back fist. If he parries that, you can lop again and punch." This is accompained by a secuance of five tiny pictures wich loosely describe the movement. Only that sometimes you don't know how the guys got from picture A to B. The pictures are too small sometimes to see what's going on, where the punch went or how the grab is done. The text is fluffy and the design bad. Not much effort was put on the making of this book.
Watching at a smiley face on a Bruce Lee Picture in the book makes me wonder, would he actually had endorsed this book at all?

4 of 9 people found the following review helpful.
A REALISTS REVIEW
By Luke W. Wolf
after being exposed to jkd,concept and original,kenpo,judo,boxing and so many seminars/books/videos studying and practicing since i was 13 and now im 40 {just so you know this isnt someone blowing smoke up your a;; here is my review:there are some good techniques in the book.but i have to disagree for alot of the grappling though-dont take my word for it-take it for checking and try it yourself! try the tech on page 95 - catch to figure 4 arm lock to takedown.if anyone with a decent amount of handspeed throws a punch at you and doesnt leave it out there for you to grab like is shown in the book or as you see in martial arts seminars-you not going to be able to pull off this technique.its bs to say the least.even if somehow you caught the punch like is shown-then you use BOTH of your arms to put the opponant into a figure four like as shown in the book-WHATS FROM STOPPING HIM from finger jabbing you in the eyes or for that matter hitting you with the other hand?! ive asked this in seminars and the only answer they give me is they ask me to throw a punch and then they do the technique even more harder then they would for the average participant-more answers like this-ask a question that makes sense and ill just try to inflict pain on you so youll shut up! kinda answer! or with their arm that is doing the figure four elbows you to the head AFTER THE FIGURE FOUR IS APPLIED...... of course i couldve easily fingerjabbed his eyes as both of his hands were tied up in his grappling figure four movement and really he had no defence except for his grappling movement.i even had my fingers right on his eye and even was able to "air" hit him 2-3 times in the throat and to his temple before he swept me - so tell me who really would have inflicted more damage if this "teacher" had tried a technique like this in the street against someone who justs keeps an open mind and just goes for whats open?? HMMMMMMMMMMMMMMMMM! another nonsense tech is thinking that a lin lop sau {cross grabbing hand }is going to work in the street or in sparring-sure it looks good in the movies and in seminars when the participant isnt really trying to REALLY punch you but to think that after you throw a straight punch and its blocked by your opponant with a pak sau{slapping hand}with his rear hand that you are going to be able to use your rear hand to grab your opponants rear blocking hand and pull him into your lead backfist is a PIPEDREAM AND A JOKE TO SAY THE LEAST! dont take my word for it !!! try it in sparring yourself! chances are when you spend time trying to grab the opponants wrist you are going to get hit with his other hand or someother strike! techniques like this are good only for one thing-to advance to the next belt! really-think about it.bs techniques like this are taught in so many styles/arts. no wonder bruce studied western boxing so much after he came to the states! alot of his wing chun just wouldnt work against someone with a decent jab/cross or just a good jab! of course there is even some stuff in western boxing that is bs that cant be used in the street like taking a punch to your gloves because in the street you have no gloves on! and also this dancing around your opponant like you saw ali or leonard do is a joke against someone who kicks you in the leg or who steps on your foot -moves quickly in ON YOU AND jams you and PUMMELS YOU! TRYING TO BE LIKE ALI OR SUGAR RAY! HA! better off that when someone blocks your punch -instead of you trying to use your other hand to grab his blocking hand wrist you just collapse that arm that was blocked at the wrist -you collapse it into an elbow into the his head and with your other hand you either do a pinning pak sau{palm slapping hand} or you use it to punch,etc.make more sense? try it for yourself ! dont believe me! try it for yourself! take it for checking! YOU AND ONLY YOU ARE THE ULTIMATE TEACHER-NOT ME OR ANY OTHER ONE! teachers will show you techniques but YOU are the only one who can see if they really work! teachers are not always teaching you techniques that work -----they are teaching you techniques so that you can progress to the next level/sash/belt and not necessarily teaching you techniques that work! i encourage ALL martial artists who are responding in their reviews,respond with positive and negative -by negative i mean constructive-comments so jkd gets "cleaned" up and hopefully one day jkd,wing chun etc.other martial arts are composed of PRACTICAL REAL LIFE WORKING TECHNIQUES/TOOLS THAT WORK AND NOT JUST USED TO ADVANCE TO THE NEXT BELT/SASH OR LEVEL! TRAIN SMART,PERSISTANTLY AND HARD!!!!!!!!!!!!!!!!! WALK ON ! lwlwbwbw@aol.com

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• Published on: 1986
• Binding: Paperback

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[O640.Ebook] Download Ebook Analogous and Digital, by Otl Aicher

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Otl Aicher (1922-1991) was an outstanding personality in modern design, he was a co-founder of the legendary Hochschule f?r Gestaltung (HfG), the Ulm School of Design, Germany. His works since the fifties of the last century in the field of corporate design and his pictograms for the 1972 Summer Olympics in Munich are major achievements in the visual communication of our times.

"An integral component of Aicher's work is that it is anchored in a "philosophy of making" inspired by such thinkers as Ockham, Kant or Wittgenstein, a philosophy concerned with the prerequisites and aims, the objects and claims, of design. Aicher's complete theoretical and practical writings on design (which include all other aspects of visual creativity, such as architecture) are available with this new edition of the classic work.
If Aicher prefers the analogous and concrete to the digital and abstract he does it with a philosophical intention. He relativizes the role of pure reason. He criticizes the rationality of Modernism as a result of the dominance of purely abstract thinking. Anyone who prefers the abstract to the concrete does not only misunderstand the mutual dependence of concept and view. In Aicher's judgement he is also creating a false hierarchy, a rank order that is culturally fatal. Things that are digital and abstract are not greater, higher and more important than things that are analogous and concrete."
Wilhelm Vossenkuhl

• Sales Rank: #752530 in Books
• Published on: 2015-04-27
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 5.50" l, .84 pounds
• Binding: Paperback
• 188 pages

From the Inside Flap
otl aicher analogous and digital with a foreword by wilhelm vossenkuhl otl aicher the world as design with a foreword by wolfgang jean stock wilhelm vossenkuhl is professor of philosophy at the university of munich, wolfgang jean stock the vice editor-in-chief of the architectural magazine baumeister.

From the Back Cover

Otl Aicher (1922–1991) was an outstanding personality in modern design, he was a co-founder of the legendary Hochschule für Gestaltung (HfG), the Ulm School of Design, Germany. His works since the fifties of the last century in the field of corporate design and his pictograms for the 1972 Summer Olympics in Munich are major achievements in the visual communication of our times.

An integral component of Aicher‘s work is that it is anchored in a „philosophy of making“ inspired by such thinkers as Ockham, Kant or Wittgenstein, a philosophy concerned with the prerequisites and aims,
the objects and claims, of design. Aicher‘s complete theoretical and practical writings on design (which
include all other aspects of visual creativity, such as architecture) are available with this new edition of the classic work.

If Aicher prefers the analogous and concrete to the digital and abstract he does it with a philosophical
intention. He relativizes the role of pure reason. He criticizes the rationality of Modernism as a result of
the dominance of purely abstract thinking. Anyone who prefers the abstract to the concrete does not only misunderstand the mutual dependence of concept and view. In Aicher’s judgement he is also creating a false hierarchy, a rank order that is culturally fatal. Things that are digital and abstract are not greater, higher and more important than things that are analogous and concrete.

Wilhelm Vossenkuhl

About the Author
Otl Aicher (1922-1991) was an outstanding personality in modern design, he was a co-founder of the legendary Hochschule f?r Gestaltung (HfG), the Ulm School of Design, Germany. His works since the fifties of the last century in the field of corporate design, e.g. Lufthansa, and his pictograms for the 1972 Summer Olympics in Munich are major achievements in the visual communication of our times.

Prof. Dr. em. Wilhelm Vossenkuhl is a professor of Philosophy at Ludwig Maximilian University Munich.

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1 of 1 people found the following review helpful.
a designer who thinks
By daniel rodriguez
A summary of some articles from one of the gratest personalities of European design and the one who has most contributed to its theorical and pedagogic articulation. It is complementary to other book: The world as design, but more philosophic. basic fo designers and architects.

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